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lf way across Main Street, and at that time marked the western limit of the village. For more than three score years and ten, even after the village grew westward beyond it, this projecting building gave a unique character to the main street, intercepted all thirsty wayfarers, and held an important place in the life of the community. Its first crude sign, representing a red lion rampant, was painted by Richard R. Smith,[62] the first storekeeper of the village, and first sheriff of the county. Judge Cooper was the lord of the manor, as it were, in the new community, yet maintained a relation of comradeship with the settlers. Enjoying the friendship of some of the most eminent men of his time, himself superior in intelligence and culture to most of his local contemporaries, Cooper had qualities that won the affection and loyalty of the sturdy pioneers. It is characteristic of him that he once offered a lot, consisting of one hundred and fifty acres of land, to any man on the patent who could throw him in a wrestling match. The wrestling took place in front of the Red Lion Inn. One contestant was finally successful, and the land was duly conveyed to the victor. It is possible that some of the lots owned by Judge Cooper were of no great value, for it is related that when his eldest son was showing the sights of New York to the youngster of the family he took him to a pasty shop, and after watching the boy eat pasty after pasty said, "Jim, eat all you want, but remember that each one costs the old man a lot." [Illustration: WILLIAM COOPER From the portrait by Gilbert Stuart] Some idea of the position that the "old man" occupied in the village which he founded may be gained from the novel that the eater of the pasties afterward entitled _The Pioneers_. In this book, while historical accuracy is disclaimed, Judge Temple is easily identified as an idealized Judge Cooper, and a faithful picture of life in the early village may be recognized; for, as the author says in his introduction, while the incidents of the tale are purely fiction, "the literal facts are chiefly connected with the natural and artificial objects, and the customs of the inhabitants." The village of Templeton, in the novel, is the Cooperstown of reality in its early days. The spirit of the times, and the character of the men who lived here are thus distinctly reflected in the placid current of Fenimore Cooper's first Leather-Stocking tale. At the pres
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