FREE BOOKS

Author's List




PREV.   NEXT  
|<   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87  
88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   >>   >|  
e subjects after their own manner, grouping them afresh and blending them with new designs. The intrinsic value of the metal upon which these artistic conceptions had been impressed led to their destruction, and among the examples which have come down to us I know of no object which can be traced to the period of the Egyptian conquest. It was Theban art for the most part which furnished the Phoenicians with their designs. These included the lotus, the papyrus, the cow standing in a thicket and suckling her calf, the sacred bark, and the king threatening with his uplifted arm the crowd of conquered foes who lie prostrate before him. [Illustration: 117.jpg EGYPTIAN TREATMENT OF THE COW ON A PHOENICIAN BOWL] Drawn by Faucher-Gudin, after Grifi. The king's double often accompanied him on some of the original objects, impassive and armed with the banner bearing the name of Horus. The Phoenician artist modified this figure, which in its original form did not satisfy his ideas of human nature, by transforming it into a protective genius, who looks with approval on the exploits of his _protege_, and gathers together the corpses of those he has slain. Once these designs had become current among the goldsmiths, they continued to be supplied for a long period, without much modification, to the markets of the Eastern and Western worlds. Indeed, it was natural that they should have taken a stereotyped form, when we consider that the Phoenicians who employed them held continuous commercial relations with the country whence they had come--a country of which, too, they recognised the supremacy. Egypt in the Ramesside period was, as we have seen, distinguished for the highest development of every branch of industry; it had also a population which imported and exported more raw material and more manufactured products than any other. [Illustration: 118.jpg THE KING AND HIS DOUBLE ON A PHOENICIAN BOWL] Drawn by Faucher-Gudin, from a sketch by Longperier. The small nation which acted as a commercial intermediary between Egypt and the rest of the world had in this traffic a steady source of profit, and even in providing Egypt with a single article--for example, bronze, or the tin necessary for its preparation--could realise enormous profits. The people of Tyre and Sidon had been very careful not to alienate the good will of such rich customers, and as long as the representatives of the Pharaoh held sway in Syria, they h
PREV.   NEXT  
|<   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87  
88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   >>   >|  



Top keywords:
designs
 

period

 
PHOENICIAN
 

Phoenicians

 
Illustration
 
commercial
 
country
 

Faucher

 

original

 

subjects


Ramesside

 

branch

 

development

 

highest

 

industry

 

distinguished

 

imported

 

products

 

manufactured

 

material


population

 

exported

 

supremacy

 

natural

 
Indeed
 
blending
 

worlds

 

Western

 

modification

 

markets


Eastern

 
stereotyped
 
relations
 

recognised

 

manner

 

continuous

 

afresh

 

employed

 

grouping

 
people

profits
 
enormous
 

realise

 

preparation

 
careful
 

alienate

 

Pharaoh

 

representatives

 

customers

 
bronze