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Domino quoniam bonus_, because it was his favourite psalm. And the Spanish as well as French composers hastened to set the Psalms of Marot to music. The fashion lasted, for Henry the Second set one to an air of his own composing. Catharine de' Medici had her psalm, and it seems that every one at court adopted some particular psalm for themselves, which they often played on lutes and guitars, &c. Singing psalms in verse was then one of the chief ingredients in the happiness of social life. The universal reception of Marot's Psalms induced Theodore Beza to conclude the collection, and ten thousand copies were immediately dispersed. But these had the advantage of being set to music, for we are told they were "admirably fitted to the violin and other musical instruments." And who was the man who had thus adroitly taken hold of the public feeling to give it this strong direction? It was the solitary Thaumaturgus, the ascetic Calvin, who from the depths of his closet at Geneva had engaged the finest musical composers, who were, no doubt, warmed by the zeal of propagating his faith to form these simple and beautiful airs to assist the psalm-singers. At first this was not discovered, and Catholics as well as Huguenots were solacing themselves on all occasions with this new music. But when Calvin appointed these psalms, as set to music, to be sung at his meetings, and Marot's formed an appendix to the Catechism of Geneva, this put an end to all psalm-singing for the poor Catholics! Marot himself was forced to fly to Geneva from the fulminations of the Sorbonne, and psalm-singing became an open declaration of what the French called "Lutheranisme," when it became with the reformed a regular part of their religious discipline. The Cardinal of Lorraine succeeded in persuading the lovely patroness of the "holy song-book," Diane de Poictiers, who at first was a psalm-singer and an heretical reader of the Bible, to discountenance this new fashion. He began by finding fault with the Psalms of David, and revived the amatory elegances of Horace: at that moment even the reading of the Bible was symptomatic of Lutheranism; Diane, who had given way to these novelties, would have a French Bible, because the queen, Catharine de' Medici, had one, and the Cardinal finding a Bible on her table, immediately crossed himself, beat his breast, and otherwise so well acted his part, that "having thrown the Bible down and condemned it, he remonstrated
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