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nes_, Mr. Blackwood felt satisfied that he had to do with a master mind, and that a great career as a novelist lay open to George Eliot; and his frequent communications urged her warmly to persevere in her efforts. When 'Janet's Repentance' was drawing to a close, and arrangements were being made for re-issuing the sketches as a separate publication, he wrote to Mr. Lewes, 'George Eliot is too diffident of his own powers and prospects of success. Very few men, indeed, have more reason to be satisfied as far as the experiment has gone. The following should be a practical cheerer,'--and then he proceeded to say how the Messrs, Blackwood had seen reason to make a large increase in the forthcoming reprint of the _Scenes_. The volumes did not appear until after the New Year of 1858; and their success was such that the editor was able, before the end of the month, to write as follows to Lewes: 'George Eliot has fairly achieved a literary reputation among judges, and the public must follow, although it may take time. Dickens's letter was very handsome, and truly kind. I sent him an extract from George Eliot's letter to me, and I have a note from him, saying that 'he has been much interested by it,' and that 'it has given him the greatest pleasure.' Dickens adheres to his theory that the writer must be a woman.' To George Eliot herself he wrote in February, 1858, 'You will recollect, when we proposed to reprint, my impression was that the series had not lasted long enough in the magazine to give you a hold on the general public, although long enough to make your literary reputation. Unless in exceptional cases, a very long time often elapses between the two stages of reputation, the literary and the public. Your progress will be _sure_, if not so quick as we could wish.'" The success of the _Clerical Scenes_ determined the literary career of Mrs. Lewes. She began at once an elaborate novel, which was largely written in Germany. It was sent to Blackwood for publication, and his nephew has given a full account of the reception of the manuscript and the details of giving the work to the public. "_Adam Bede_ was begun almost as soon as the _Scenes_ were finished, and had already made considerable progress before their appearance in the reprint. In February, 1858, the editor, writing to Mr. Lewes, says, 'I am delighted to hear from George Eliot that I might soon hope to see something like a volume of the new tale. I am very sanguin
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