I had shown part of the MS. to Thackeray. He was staying with
me, and having been out at dinner, came in about eleven o'clock, when I had
just finished reading it. I said to him, 'Do you know that I think I have
lighted upon a new author who is uncommonly like a first-class passenger?'
I showed him a page or two--I think the passage where the curate returns
home and Milly is first introduced. He would not pronounce whether it came
up to my ideas, but remarked afterwards that he would have liked to have
read more, which I thought a good sign.'

"From the first the _Scenes of Clerical Life_ arrested public attention.
Critics were, however, by no means unanimous as to their merits. They
had so much individuality--stood so far apart from the standards of
contemporary fiction--that there was considerable difficulty in applying
the usual tests in their case. The terse, condensed style, the exactitude
of expression, and the constant use of illustration, naturally suggested to
some the notion that the new writer must be a man of science relaxing
himself in the walks of fiction. The editor's own suspicions had once been
directed towards Professor Owen by a similarity of handwriting. Guesses
were freely hazarded as to the author's personality, and among other
conjectures was one that Lord Lyttoll, whose 'Caxton' novels were about
the same period delighting the readers of this magazine, had again struck
a new vein of fiction. Probably Dickens was among the first to divine that
the author must be a woman; but the reasons upon which he based this
opinion might readily have been met by equally cogent deductions from the
_Scenes_ that the writer must be of the male sex. Dickens, on the
conclusion of the _Scenes_, wrote a letter of most generous appreciation,
which, when sent through the editor, afforded the unknown author very
hearty gratification.

"While 'Mr. Gilfil's Love Story' was passing through the magazine, the
editor was informed that he was to know the author as 'George Eliot.' It
was at this time, then, that a name so famous in our literature was
invented. We have no reason to suppose that it had been thought of when the
series was commenced. It was probably assumed from the impossibility of a
nameless shadow maintaining frequent communication with the editor of a
magazine; possibly the recollection of George Sand entered into the idea;
but the designation was euphonious and impressive.

"Before the conclusion of the _Sce