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iting of _Adam Bede_, George Eliot accepted her career as a novelist, and henceforth her life was devoted to literary creation. Even before _Adam Bede_ was completed, her attention was directed to Savonarola as the subject for a novel. Though this subject was in her mind, yet it was not made use of until later. As soon as _Adam Bede_ was completed, she at once began another novel of English life, and drawn even more fully than its predecessors from her own experience. Of this new work a greater portion of the manuscript was in the hands of the publishers with the beginning of 1860. She called it _Sister Maggie_, from the name of the leading character. This title did not please the publisher, and on the 6th of January, Blackwood wrote to her suggesting that it be called _The Mill on the Floss_. This title was accepted by George Eliot, and the new work appeared in three volumes at the beginning of April, 1860. In July, 1859, there appeared in _Blackwood's Magazine_ a short story from George Eliot bearing the title of "The Lifted Veil." This was followed by another, in 1864, called "Brother Jacob." Both were printed anonymously and are the only short stories she wrote after the _Clerical Scenes_. They attracted attention, but were not reprinted until 1880, when they appeared in the volume with _Silas Marner_, in Blackwood's "cabinet edition" of her works. In March, 1861, _Silas Marner, the Weaver of Raveloe_, her only one-volume novel, was given to the public by Blackwood. Having carefully studied the life and surroundings of Savonarola, she now took up this subject, and embodied it in her _Romola_. This novel appeared in the _Cornhill Magazine_ from July, 1862, to July, 1863. It has been reported that it was offered to Blackwood for publication, who rejected it because it was not likely to be popular with the public. The probable reason of its publication in the _Cornhill Magazine_ was that a large sum was paid for its first appearance in that periodical. In a letter written July 5, 1862, Lewes gave the true explanation. "My main object in persuading her to consent to serial publication was not the unheard-of magnificence of the offer, but the advantage to such a work of being read slowly and deliberately, instead of being galloped through in three volumes. I think it quite unique, and so will the public when it gets over the first feeling of surprise and disappointment at the book not being English and like its predeces
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