iting of _Adam Bede_, George Eliot accepted her career as a
novelist, and henceforth her life was devoted to literary creation. Even
before _Adam Bede_ was completed, her attention was directed to Savonarola
as the subject for a novel. Though this subject was in her mind, yet it was
not made use of until later. As soon as _Adam Bede_ was completed, she at
once began another novel of English life, and drawn even more fully than
its predecessors from her own experience. Of this new work a greater
portion of the manuscript was in the hands of the publishers with the
beginning of 1860. She called it _Sister Maggie_, from the name of the
leading character. This title did not please the publisher, and on the 6th
of January, Blackwood wrote to her suggesting that it be called _The Mill
on the Floss_. This title was accepted by George Eliot, and the new work
appeared in three volumes at the beginning of April, 1860.
In July, 1859, there appeared in _Blackwood's Magazine_ a short story from
George Eliot bearing the title of "The Lifted Veil." This was followed by
another, in 1864, called "Brother Jacob." Both were printed anonymously and
are the only short stories she wrote after the _Clerical Scenes_. They
attracted attention, but were not reprinted until 1880, when they appeared
in the volume with _Silas Marner_, in Blackwood's "cabinet edition" of her
works. In March, 1861, _Silas Marner, the Weaver of Raveloe_, her only
one-volume novel, was given to the public by Blackwood.
Having carefully studied the life and surroundings of Savonarola, she now
took up this subject, and embodied it in her _Romola_. This novel appeared
in the _Cornhill Magazine_ from July, 1862, to July, 1863. It has been
reported that it was offered to Blackwood for publication, who rejected it
because it was not likely to be popular with the public. The probable
reason of its publication in the _Cornhill Magazine_ was that a large sum
was paid for its first appearance in that periodical. In a letter written
July 5, 1862, Lewes gave the true explanation. "My main object in
persuading her to consent to serial publication was not the unheard-of
magnificence of the offer, but the advantage to such a work of being read
slowly and deliberately, instead of being galloped through in three
volumes. I think it quite unique, and so will the public when it gets over
the first feeling of surprise and disappointment at the book not being
English and like its predeces
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