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t an easy or a painless process. Destined for the army, because he wasn't apparently clever enough to go in for the church or the law, he managed, with a kind of instinctive self-protection, to avoid learning enough even to be an officer. He turned first in this direction and then in that, in his efforts to escape. The race-track furnished one diversion for his unhappy energies, books of poetry another. Then he met a painter who painted and loved sumptuous and beautiful blondes, whereupon art and women became the new centers of his life, and Paris, where both might be indulged in, his great ambition. Given permission and an allowance, he set off to study art in Paris--only to find after much effort and heartache that he was a failure as an artist. There remained, however, women--and the cafes, with strange poets and personalities to be cultivated and explored. Modelling himself after his newest friend, in attire, manners and morals, he lived what might have been on the whole an unprofitable and ordinary life, if he had not been able to gild it with the glamour of philosophic immoralism. Finally, because everybody else was writing, he too wrote--a play. Then follows a period of discovery of the newest movement in art. So impressionable is he that his stay of some years in Paris causes him actually to forget how to write English prose, and when he returns to London and has to earn his living at journalism he has to learn his native tongue over again. Nevertheless he has acquired a point of view--on women, on art, on life. He writes--criticism, poetry, fiction. He is obscure, ambitious, full of self-esteem, that is beginning to be soured by failure. He tries to get involved in a duel with a young nobleman, just to get himself before the public. Failing in that, he lives in squalid lodgings--or so they seem to a young man who has lived in Paris on a liberal allowance--and writes, writes, writes, writes ... talking to his fellow lodgers, to the stupid servant who brings him his meals, and getting the materials for future books out of them. A candid record of these incidents, interwoven with eloquent self-analysis, keen and valid criticism of books and pictures, delightful reminiscences and furious dissertations upon morality, the whole story is given a special and, for its time, a rare interest by its utter lack of conventional reticence. He never spares himself. He has undertaken quite honestly to tell the truth. He has learne
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