iment to good.

The second letter, on the evils of imperfection, is little more than a
paraphrase of Pope's epistles, or, yet less than a paraphrase, a mere
translation of poetry into prose. This is, surely, to attack difficulty
with very disproportionate abilities, to cut the Gordian knot with very
blunt instruments. When we are told of the insufficiency of former
solutions, why is one of the latest, which no man can have forgotten,
given us again? I am told, that this pamphlet is not the effort of
hunger; what can it be, then, but the product of vanity? and yet, how
can vanity be gratified by plagiarism or transcription? When this
speculatist finds himself prompted to another performance, let him
consider, whether he is about to disburden his mind, or employ his
fingers; and, if I might venture to offer him a subject, I should wish,
that he would solve this question: Why he, that has nothing to write,
should desire to be a writer?

Yet is not this letter without some sentiments, which, though not new,
are of great importance, and may be read, with pleasure, in the
thousandth repetition.

"Whatever we enjoy, is purely a free gift from our creator; but, that we
enjoy no more, can never, sure, be deemed an injury, or a just reason to
question his infinite benevolence. All our happiness is owing to his
goodness; but, that it is no greater, is owing only to ourselves; that
is, to our not having any inherent right to any happiness, or even to
any existence at all. This is no more to be imputed to God, than the
wants of a beggar to the person who has relieved him: that he had
something, was owing to his benefactor; but that he had no more, only to
his own original poverty."

Thus far he speaks what every man must approve, and what every wise man
has said before him. He then gives us the system of subordination, not
invented, for it was known, I think, to the Arabian metaphysicians, but
adopted by Pope, and, from him, borrowed by the diligent researches of
this great investigator.

"No system can possibly be formed, even in imagination, without a
subordination of parts. Every animal body must have different members,
subservient to each other; every picture must be composed of various
colours, and of light and shade; all harmony must be formed of trebles,
tenours, and bases; every beautiful and useful edifice must consist of
higher and lower, more and less magnificent apartments. This is in the
very essence of all create