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by the French window, in distress, unnoticed by either of them.] VANE. Mr Frost, the Public would take this, I'm sure they would; I'm convinced of it. You underrate them. FRUST. Now, see here, Mr Blewitt Vane, is this my theatre? I tell you, I can't afford luxuries. VANE. But it--it moved you, sir; I saw it. I was watching. FRUST. [With unmoved finality] Mr Vane, I judge I'm not the average man. Before "Louisa Loses" the Public'll want a stimulant. "Pop goes the Weasel" will suit us fine. So--get right along with it. I'll go get some lunch. [As he vanishes into the wings, Left, MISS HELLGROVE covers her face with her hands. A little sob escaping her attracts VANE'S attention. He takes a step towards her, but she flies.] VANE. [Dashing his hands through his hair till it stands up] Damnation! [FORESON walks on from the wings, Right.] FORESON. Sir? VANE. "Punch and go!" That superstition! [FORESON walks straight out into the wings, Left.] VANE. Mr Foreson! FORESON. [Re-appearing] Sir? VANE. This is scrapped. [With savagery] Tell 'em to set the first act of "Louisa Loses," and put some pep into it. [He goes out through the French windows with the wind still in his hair.] FORESON. [In the centre of the Stage] Electrics! ELECTRICS. Hallo! FORESON. Where's Charlie? ELECTRICS. Gone to his dinner. FORESON. Anybody on the curtain? A VOICE. Yes, Mr Foreson. FORESON. Put your curtain down. [He stands in the centre of the Stage with eyes uplifted as the curtain descends.] THE END End of the Project Gutenberg EBook of Hall-Marked and Others (Six Short Plays), by John Galsworthy *** END OF THIS PROJECT GUTENBERG EBOOK HALL-MARKED AND OTHERS *** ***** This file should be named 2920.txt or 2920.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/2/9/2/2920/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and d
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