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ressed outwards, and you will not be able to get the whole of the panel within its proper limits. [Illustration: FIG. 34] Fig. 34 is an illustration of various kinds and sizes of lead; showing some with the glass inserted in its place. By all means make your leads yourself, for many of those ready made are not lead at all, or not pure lead. Get the parings of sheet lead from a source you can trust, and cast them roughly in moulds as at fig. 35. Fig. 36 is the shears by which the strips may be cut; fig. 37 is the lead-mill or "vice" by which they are milled and run into their final shape; fig. 38 the "cheeks" or blocks through which the lead passes. The working of such an instrument is a thing that is understood in a few minutes with the instrument itself at hand, but it is cumbrous to explain in writing, and not worth while; since if you purchase such a thing, obviously the seller will be there to explain its use. Briefly,--the handle turns two wheels with milled edges 1/16 of an inch apart; which, at one motion, draw the lead between them, mill it, and force it between the two "cheeks" (fig. 38), which mould the outside of the lead in its passage. These combined movements, by a continuous pressure, squeeze out the strip of lead into about twice its length; correspondingly decreasing its thickness and finishing it as it goes. [Illustration: FIG. 35.] [Illustration: FIG. 36.] [Illustration: FIG. 37.] _Some principles of good taste and common sense with regard to the cutting up of a Window; according to which the Cartoon and Design must be modified._--Never disguise the lead line. Cut the necessary parts first, as I said before; cut the optional parts _simply_; thinking most of craft-convenience, and not much of realism. [Illustration: FIG. 38.] Do not, however, go to the extent of making two lead lines cross each other. Fig. 39 shows the two kinds of joint, A being the wrong one (as I hold), and B the right one; but, after all, this is partly a question of taste. Do not cut borders and other minor details into measured spaces; cut them hap-hazard. [Illustration: FIG. 39.] Do not cut leafage too much by the outlines of the groups of leaves--or wings by the outlines of the groups of feathers. Do not outline with lead lines any forms of minor importance. Do not allow the whole of any figure to cut out dark against light, or light against dark; but if the figure is ever so bright, let an inch o
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