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pleased to call Bohemia, Persia, &c., but which might have been as well baptized Tartary or Mongolia. The manners and costumes, however, when there is an attempt at describing them, are purely Elizabethan. There are masques such as were shown at court in Shakespeare's time, and during one such fete, as in "Romeo and Juliet," Parismus for the first time declares his love to Laurana: "The maskers entred in this sort: first entred two torch bearers, apparelled in white satten, beset with spangles of gold, after whom followed two Eunuches, apparelled all in greene, playing on two instruments, then came Parismus attired all in carnation satten ... next followed ... when came two knights ... next followed ..."[149] and so on; in the same style as in Shakespeare's play, "enter Romeo, Mercutio, Benvolio, with five or six maskers, torch-bearers and others."[150] But, alas, this is the only place where there is any resemblance between the two styles; though the situation developes under Ford's pen in a manner to suggest that he must have read "Romeo" not without a purpose. Had his purpose been to show his contemporaries the height of Shakespeare's genius by giving, side by side with it, the measure of an ordinary mind, he could not have tried better nor succeeded less. For contemporaries and successors consumed innumerable editions of "Parismus," and only too easily numbered editions of "Romeo." Parismus and Laurana talk, in the midst of the ball, of their new-born love, and after an exchange of highly polite phrases she thus confesses her feelings: "My noble lord ... I heartily thanke you for taking so much paines for my sake, being unwoorthie thereof, and also unable to bee sufficiently thankfull unto you for the same, and for that you say your happinesse resteth in my power, if I can any way work your content to the uttermost of my endeavour I will do it." Parismus, of course, has nothing to answer except that no one could require more. It had been, however, with her also, love at first sight; but Laurana does not say: "Go, ask his name: if he be married, My grave is like to be my wedding bed." She is far too well bred and courtly, and she explains as follows what she has felt: "My Lord, I assure you, that at such time as I sawe you comming first into this court, my heart was then surprised, procured, as I think by the destinies, that ever since I have vowed to rest yours." This speech is made at a nightly ga
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