FREE BOOKS

Author's List




PREV.   NEXT  
|<   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100  
101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   >>   >|  
woman of the lower class, about twenty-two years of age," a vivandiere, in the course of her rounds came with provisions to a battery near the Portello gate. The gunners had all been killed, and, as the citizens held back, "Augustina sprang over the dead and dying, snatched a match from the hand of a dead artilleryman, and fired off a twenty-six pounder; then, jumping upon the gun, made a solemn vow never to quit it alive during the siege." After the retreat of the French, "a pension was settled upon Augustina, and the daily pay of an artilleryman. She was also to wear a small shield of honour, embroidered upon the sleeve of her gown, with 'Zaragoza' inscribed upon it" (Southey's _Peninsular War_, ii. 14, 34). Napier, "neither wholly believing nor absolutely denying these exploits," which he does not condescend to give in detail, remarks "that for a long time afterwards, Spain swarmed with Zaragoza heroines, clothed in half-uniforms, and theatrically loaded with weapons." A picture of "The Defence of Saragossa," painted by Sir David Wilkie, which contained her portrait, was exhibited in the Royal Academy in 1829, and was purchased by the king (Napier's _History of the War in the Peninsula_, i. 45; _Life of Sir D. Wilkie_, by John W. Mollett, 1881, p. 83). Compare, too, _The Age of Bronze_, vii. lines 53-56-- "... the desperate wall Of Saragossa, mightiest in her fall; The man nerved to a spirit, and the maid Waving her more than Amazonian blade."] 12. The seal Love's dimpling finger hath impressed Denotes how soft that chin which bears his touch. Stanza lviii. lines 1 and 2. "Sigilla in mento impressa Amoris digitulo Vestigio demonstrant mollitudinem." Aul. Gel. [The quotation does not occur in Aulus Gellius, but is a fragment in iambic metre from the Papia papae [Greek: peri\ e)nkomi/on] of M. Terentius Varro, cited by the grammarian Nonius Marcellus (_De Comp. Doct_., ii. 135, lines 19-23). _Sigilla_ is a variant of the word in the text, _laculla_, a diminutive of _lacuna_, signifying a dimple in the chin. _Lacullum_ is not to be found in Facciolati. (_Vide_ Riese, _Varro. Satur. Menipp. Rel_., 1865, p. 164.)] 13. Oh, thou Parnassus!
PREV.   NEXT  
|<   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100  
101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   >>   >|  



Top keywords:
artilleryman
 

Zaragoza

 

Augustina

 
Sigilla
 
Napier
 
Wilkie
 

twenty

 

Saragossa

 

impressed

 

Denotes


Compare
 
finger
 

Mollett

 

dimpling

 

Stanza

 

nerved

 

spirit

 

mightiest

 

Waving

 

desperate


Bronze
 

Amazonian

 

quotation

 
laculla
 

diminutive

 
lacuna
 
dimple
 

signifying

 

variant

 

Lacullum


Parnassus

 

Menipp

 
Facciolati
 
Marcellus
 

Nonius

 
Gellius
 

mollitudinem

 

demonstrant

 

impressa

 

Amoris


digitulo

 

Vestigio

 
fragment
 

Terentius

 
grammarian
 
iambic
 

painted

 

jumping

 
solemn
 

pounder