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ur day." The orator was surprised to find how much of the oration could be used bodily, and how much, with adaptation, was germane to his subject. But slight alterations are necessary to make the opening sentence this: "Most of those who have spoken here have commended the law-giver who added this oration to our other customs; it seemed to them a worthy thing that such an honor should be given to the dead who have fallen on the field of battle." In many places you may let the speech run on with hardly a change. "In the face of death [these men] resolved to rely upon themselves alone. And when the moment came they were minded to resist and suffer rather than to fly and save their lives; they ran away from the word of dishonor, but on the battlefield their feet stood fast; and while for a moment they were in the hands of fortune, at the height, not of terror, but of glory, they passed away. Such was the end of these men; they were worthy of their country." Consider for a moment, as the work of a contemporary, the book which continues the account of the Sicilian expedition, and ends with the disaster at Syracuse. "In the describing and reporting whereof," Plutarch writes, "Thucydides hath gone beyond himself, both for variety and liveliness of narration, as also in choice and excellent words." "There is no prose composition in the world," wrote Macaulay, "which I place so high as the seventh book of Thucydides.... I was delighted to find in Gray's letters, the other day, this query to Wharton: 'The retreat from Syracuse,--is it or is it not the finest thing you ever read in your life?'" In the Annals of Tacitus we have an account of part of the reign of Emperor Nero, which is intense in its interest as the picture of a state of society that would be incredible, did we not know that our guide was a truthful man. One rises from a perusal of this with the trite expression, "Truth is stranger than fiction;" and one need only compare the account of Tacitus with the romance of Quo Vadis to be convinced that true history is more interesting than a novel. One of the most vivid impressions I ever had came immediately after reading the story of Nero and Agrippina in Tacitus, from a view of the statue of Agrippina in the National Museum at Naples.[2] It will be worth our while now to sum up what I think may be established with sufficient time and care. Natural ability being presupposed, the qualities necessary for a historian are
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