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nse as to gaze on those most wonderful monuments of human industry, constructed certainly 5000 years ago, and to read at the same time the account that Herodotus gave of his visit there about 2350 years before the date of my own. That same night I read in a modern and garish Cairo hotel the current number of the _London Times_. In it was an account of an annual meeting of the Royal Historical Society and a report of a formal and carefully prepared address of its president, whose subject was "Herodotus," whose aim was to point out the value of the Greek writer as a model to modern historians. The _Times_, for the moment laying aside its habitual attack on the then Liberal government, devoted its main leader to Herodotus--to his merits and the lessons he conveyed to the European writers. The article was a remarkable blending of scholarship and good sense, and I ended the day with the reflection of what a space in the world's history Herodotus filled, himself describing the work of twenty-six hundred years before his own time and being dilated on in 1894 by one of the most modern of nineteenth-century newspapers. It is generally agreed, I think, that Thucydides is first in order of time of philosophic historians, but it does not seem to me that we have most to learn from him in the philosophic quality. The tracing of cause and effect, the orderly sequence of events, is certainly better developed by moderns than it has been by ancients. The influence of Darwin and the support and proof which he gives to the doctrine of evolution furnish a training of thought which was impossible to the ancients; but Thucydides has digested his material and compressed his narrative without taking the life out of his story in a manner to make us despair, and this does not, I take it, come from paucity of materials. A test which I began to make as a study in style has helped me in estimating the solidity of a writer. Washington Irving formed his style by reading attentively from time to time a page of Addison and then, closing the book, endeavored to write out the same ideas in his own words. In this way his style became assimilated to that of the great English essayist. I have tried the same mode with several writers. I found that the plan succeeded with Macaulay and with Lecky. I tried it again and again with Shakespeare and Hawthorne, but if I succeeded in writing out the paragraph I found that it was because I memorized their very words.
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