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s looked very fresh. We promised to be careful, and were off cantering towards the veldt, the horses soon making the dust fly beneath their hoofs in a wild gallop. "Oh Val," cried Denham, with flashing eyes, "isn't this glorious?" "Delightful," I replied. "Doesn't it make you think of being in the troop once more?" "No," I said bluntly; "and I hope we shall never again ride knee to knee to cut down men." "But if the need should arise," he shouted, "you would volunteer again-- yes, and you too, Bob?" "Of course," cried my brother, flushing; "and so would Val." "You hear that, Val?" said Denham. "Don't say you wouldn't come and help?" "How can I?" was my reply. "This is sandy Africa, with savages who might rise at any time; but I am English born, with a touch of Scottish blood, I believe." "I've got a dash of Irish in mine," said Denham. "I say, shall we ever see Moriarty again?" "I hope not," I answered, turning red up to my hair. "I don't want to see him now," Denham said. "But answer my question, Val. Will you volunteer again if a bad time comes!" "So long as you mount a horse, and want me," I answered. It was very stupid and boyish; but we were excited, I suppose, with the motion of our horses and the elasticity of the morning air. Just then Bob rose in his stirrups in answer to a sign from Denham, clapped his fist to his mouth, and brought forth a capital imitation of a trumpet's blast, which made the horses stretch out and tear away close together over the open veldt as if in answer to the cry which thrilled me with recollections. For Denham, too, had risen in his stirrups, thrown his hand above his head, and shouted, "Charge!" THE END. End of the Project Gutenberg EBook of Charge!, by George Manville Fenn *** END OF THIS PROJECT GUTENBERG EBOOK CHARGE! *** ***** This file should be named 21302.txt or 21302.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/1/3/0/21302/ Produced by Nick Hodson of London, England Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of
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