a sub-cornice and blocking-course, and is surmounted
by the tower, which rises from the middle. The addition of a steeple to a
Grecian church forms a stumbling-block to our modern architects, forcing
them to have recourse to many shifts to convert a Grecian temple into an
English church, a forcible argument for the rejection of the classical
styles altogether in this species of buildings.[1] Mr. Hakewill has,
however, in part surmounted this difficulty, and the effect produced is
not bad, as great value is given to the front elevation by it.
The tower consists of a square in plan, in elevation consisting of a
pedestal, the dado pieced for the dials of a clock, sustaining a cubical
story, with an arched window in each face, at the sides of which are Ionic
columns, the angles being finished in antis. This story is crowned with an
entablature, above which rises a small enriched circular temple; the whole
is crowned with a spherical dome, surmounted by a cross.
The body of the church is built of brick, with stone dressings. The
interior is chastely fitted up. The altarpiece is Mr. Hilton's splendid
picture of "Christ crowned with thorns," exhibited at Somerset House, in
1825, and presented to this church by the British Institution in 1827.
The ground for the site was given by Lord Grosvenor, and the sum of
5,555_l_. 11_s_. 1_d_. was granted by the Royal Commissioners towards the
building. It will accommodate 1,657 persons. The first stone was laid
September 4, 1824, and the church was consecrated by the Bishop of London,
(Dr. Howley,) July 20, 1827.
[1] See Gentlemen's Magazine, April, 1829.
* * * * *
PSALMODY.
(_To the Editor of the Mirror_.)
I have lately made a journey to the metropolis for the purpose of
inquiring by my own personal attention and otherwise, whether any
improvement had been made in the Psalmody of any of the numerous new
churches and chapels in and near London. I have visited by far the greater
part of them. In many of them I find no improvement, but there are two or
three which merit distinction.
In the majority of the churches, I observe the singing of psalms or hymns
(for I have not yet, after three months, heard an anthem) is confined
generally to about three verses, and those more ordinarily of the common
metre; the singing is very little of it congregational, but is chiefly
performed by the schools of charity children, and there does not a
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