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ere thick friends again a few minutes after a scene so lively that blows seemed imminent, and they met every morning on the landing, where, with broom or child in hand, they stood gossiping by the hour. When Maurice rang, Frau Furst opened the door to him herself, having first cautiously examined him through the kitchen window. Drying her hands on her apron, she ushered him through the tiny entry--a place of dangers, pitch-dark as it was, and lumbered with chests and presses--into Franz's room, the "best room" of the house. Here were collected a red plush suite, which was the pride of Frau Furst's heart, and all the round, yellowing family photographs; here, too, stood the well-used Bechstein, pile upon pile of music, a couple of music-stands, a bust of Schubert, a faded, framed diploma. For years, assuredly, the windows had never been thrown wide open; the odours of stale coffee and forgotten dinners, of stove and warmed wood, of piano, music and beeswax: all these lay as it were in streaks in the atmosphere, and made it heavy and thought-benumbing. A willing listener was worth more than gold to Frau Furst and here, the first time he came, while waiting for Franz, Maurice heard in detail the history of the family. The father had been an oboist in the Gewandhaus orchestra, and had died a few years previously, of a chill incurred after a performance of DIE MEISTERSINGER. At his death, it had fallen on Franz to support the family; and, thanks to Schwarz's aid and influence, Franz was able to get as many pupils as he had time to teach. It was easy to see that this, her eldest son, was the apple of Frau Furst's eye; her other children seemed to be there only to meet his needs; his lightest wish was law. Each additional pupil that sought him out, was a fresh tribute to his genius, each one that left him, no matter after how long, was unthankful and a traitor. For the nights on which his quartet met at the house, she prepared as another woman would for a personal fete; and she watched the candles grow shorter without a tinge of regret. When Franz played at an ABENDUNTERHALTUNG, the family turned out in a body. Schwarz was a god, all-powerful, on whom their welfare depended; and it was necessary to propitiate him by a quarterly visit on a Sunday morning, when, over wine and biscuits, she wept real and feigned tears of gratitude. In this hard-working, careworn woman, who was seldom to be seen but in petticoat, bed-jacket,
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