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The Project Gutenberg EBook of Maurice Guest, by Henry Handel Richardson This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Maurice Guest Author: Henry Handel Richardson Posting Date: June 20, 2009 [EBook #3727] Release Date: February, 2003 First Posted: August 10, 2001 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK MAURICE GUEST *** Produced by Col Choat. HTML version by Al Haines. MAURICE GUEST by Henry Handel Richardson Part I S'amor non e che dunque e quel ch'io sento? Ma s'egli e amor, per Dio, che cosa e quale? PETRARCH I. One noon in 189-, a young man stood in front of the new Gewandhaus in Leipzig, and watched the neat, grass-laid square, until then white and silent in the sunshine, grow dark with many figures. The public rehearsal of the weekly concert was just over, and, from the half light of the warm-coloured hall, which for more than two hours had held them secluded, some hundreds of people hastened, with renewed anticipation, towards sunlight and street sounds. There was a medley of tongues, for many nationalities were represented in the crowd that surged through the ground-floor and out of the glass doors, and much noisy ado, for the majority was made up of young people, at an age that enjoys the sound of its own voice. In black, diverging lines they poured through the heavy swinging doors, which flapped ceaselessly to and fro, never quite closing, always opening afresh, and on descending the shallow steps, they told off into groups, where all talked at once, with lively gesticulation. A few faces had the strained look that indicates the conscientious listener; but most of these young musicians were under the influence of a stimulant more potent than wine, which manifested itself in a nervous garrulity and a nervous mirth. They hummed like bees before a hive. Maurice Guest, who had come out among the first, lingered to watch a scene that was new to him, of which he was as yet an onlooker only. Here and there came a member of the orchestra; with violin-case or black-swathed wind-instrument in hand, he deftly threaded his way through the throng, bestowing, as he went, a hast
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