FREE BOOKS

Author's List




PREV.   NEXT  
|<   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171  
172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   >>   >|  
nes, such as the practice of painting the body with white and red ochre, carrying boughs in their hands, or tying them round their limbs; adorning the head with feathers or down, bearing bunches of feathers, tied in tufts in their hands, the women singing and beating time upon folded skins, the men beating time upon sticks or some of their smaller weapons, an old man acting as leader of the band, and giving the time and tune to the others; the dances representing the actions of animals, the circumstances of the chase, of war, or of love; and the singular and extraordinary quivering motion of the thighs when the legs are distended, a peculiarity probably confined to the natives of the continent of Australia. The most interesting dances are those which take place at the meeting of different tribes. Each tribe performs in turn, and as there is much rivalry, there is a corresponding stimulus to exertion. The dances usually commence an hour or two after dark, and are frequently kept up the greater part of the night, the performers becoming so much excited that, notwithstanding the violent exercise required to sustain all their evolutions, they are unwilling to leave off. It is sometimes difficult to induce them to commence a dance; but if they once begin, and enter into the spirit of it, it is still more difficult to induce them to break up. The females of the tribe exhibiting, generally sit down in front of the performers, either irregularly, in a line, or a semicircle, folding up their skin cloaks into a hard ball, and then beating them upon their laps with the palm of their hand, and accompanying the noise thus produced with their voices. It is surprising to see the perfect time that is kept in this way, and the admirable manner in which the motions of the dancers accord with the music. There is no confusion, irregularity, or mistake. Each person is conversant with his part; and all exhibit a degree of elasticity and gracefulness in their movements which, in some of the dances, is very striking and beautiful. In many of the figures, weapons are carried, such as the waddy, the shield, the spear, etc. and in these it is amazing to behold the facility and skill with which they form in close array, spread into open rank, change places, and thread through the mazes of the dance, without ever deranging their plans, or coming in contact with each other. The tribes who are not engaged in dancing, are seated in a large semi
PREV.   NEXT  
|<   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171  
172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   >>   >|  



Top keywords:
dances
 
beating
 
performers
 
weapons
 

tribes

 

difficult

 

induce

 

commence

 

feathers

 

voices


produced

 

surprising

 

dancers

 

admirable

 

perfect

 

manner

 

motions

 
generally
 
exhibiting
 

females


spirit

 

irregularly

 
accompanying
 

semicircle

 

folding

 

cloaks

 
exhibit
 

places

 

change

 
thread

spread

 
deranging
 

dancing

 

engaged

 
seated
 

coming

 

contact

 

facility

 

behold

 

conversant


degree

 
elasticity
 
gracefulness
 

person

 

mistake

 

confusion

 

irregularity

 

movements

 

shield

 
amazing