FREE BOOKS

Author's List




PREV.   NEXT  
|<   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127  
128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   >>   >|  
weighing of the relative importance of all portions. Recall what was said of the place of the most important part. Throughout the speech there must also be variety of emphasis. It would not be fitting to have everything with a forceful emphasis upon it. To secure variation in emphasis you must remember that in speeches the best effects will be made upon audiences by offering them slight relief from too close attention or too impressive effects. If you observe the plans finally followed by good speakers you will be able to see that they have obeyed this suggestion. They have the power to do what is described as "swaying the audience." In its simplest form this depends upon varying the emphasis. In making an appeal for funds for destitute portions of Europe a telling topic would surely be the sufferings of the needy. Would it be wise to dwell upon such horrors only? Would a humorous anecdote of the happy gratitude of a child for a cast-off toy be good to produce emphasis? Which would make the most emphatic ending--the absolute destitution, the amount to be supplied, the relief afforded, or the happiness to donors for sharing in such a worthy charity? You can see how a mere mental planning, or a shuffling of notes, or a temporary numbering of topics will help in clearing up this problem of how to secure proper and effective emphasis. Making the First Plan. It would be a helpful thing at this point in the planning to make a pencil list of the topics to be included. This is not a final outline but a mere series of jottings to be changed, discarded, and replaced as the author considers his material and his speech. It is hardly more than an informal list, a scrap of paper. In working with it, don't be too careful of appearances. Erase, cross out, interline, write in margins, draw lines and arrows to carry portions from one place to another, crowd in at one place, remove from another, cut the paper sheets, paste in new parts, or pin slips together. Manipulate your material. Mold it to suit your purposes. Make it follow your plan. By this you will secure a good plan. If this seems a great deal to do, compare it with the time and energy required to learn how to swim, how to play a musical instrument, how to "shoot" in basketball, how to act a part in a play. Knowing how to speak well is worth the effort. Every time you plan a speech these steps will merge into a continuous process while you are gathering the material. In
PREV.   NEXT  
|<   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127  
128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   >>   >|  



Top keywords:

emphasis

 

material

 

portions

 

secure

 

speech

 

relief

 

planning

 
topics
 

effects

 

working


helpful
 

Making

 

interline

 

appearances

 
careful
 
discarded
 

replaced

 

outline

 

margins

 

series


jottings

 

changed

 

gathering

 

author

 
informal
 

pencil

 

considers

 
included
 

instrument

 

basketball


musical

 

compare

 

energy

 

required

 

process

 

effort

 

Knowing

 

continuous

 
sheets
 

remove


arrows

 

follow

 

purposes

 

Manipulate

 

effective

 

destitution

 

finally

 

speakers

 
observe
 

slight