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In 1841 he was imprisoned for six months for blasphemy. He founded and edited _The Reasoner_ (Vols. 1-26, 1846-1861). In his later life he did much to promote cooperation among the working class. [821] See note 176, page 102. [822] William Thomas Lowndes (1798-1843), whose _Bibliographer's Manual of English Literature_, 4 vols., London, 1834 (also 1857-1864, and 1869) is a classic in its line. [823] Jacques Charles Brunet (1780-1867), the author of the great French bibliography, the _Manuel du Libraire_ (1810). * * * * * Corrections made to printed original. Page 5, "direct acquaintance with the whole of his mental ancestry": 'acquantance' in original. Page 100, "The error is at the rate": 'it' (for 'is') in original. Page 192, "the lineal successor of the Repository association": 'successsor' in original. Page 211, "the doctors had finished their compliments": 'docters' in original. Page 302, "causing mutual perturbations": 'peturbations' in original. Page 344, "The work itself is described": 'decribed' in original. Page 370, The entry for 1852 is printed as 19, it appears that the correct value should be 9. Page 392, "Sir John Herschel's previous communication": 'pervious' in original. Note 317, "he constructed a working model of a steam road carriage": 'contructed' in original. Note 380, "the variation of the Earth's Diameters": 'Diaameters' in original. Note 550, "The first edition of the anonymous [Greek]": 'anonynous' in original. End of the Project Gutenberg EBook of A Budget of Paradoxes, Volume I (of II), by Augustus De Morgan *** END OF THIS PROJECT GUTENBERG EBOOK A BUDGET OF PARADOXES *** ***** This file should be named 23100.txt or 23100.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/3/1/0/23100/ Produced by David Starner, Keith Edkins and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project
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