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BLACK BROLLY. Air--_Annie Laurie._ Under the Old Umbrella, Beneath the leaking gamp, Wrapped up in woolly phrases We battle with the damp. Come, gather round the gamp! Observe, it is pre-war; And beneath the old Black Brolly There's room for several more. Shameless calumniators Calumniate like mad; Detractors keep detracting; It really is too bad; It really is too bad. To show we're not quite dead, We wave the old Black Brolly And hit them on the head. Then we have the National Party. I am rather vague about the National Party, but I know they are frightfully military, and they keep on having Mass Rallies in Kensington--complete with drums, I expect. Where all the masses come from I don't quite know, as a prolonged search has failed to reveal anyone who knows anyone who is actually a member of the party. Everybody tells me, though, that there is at least one Brigadier-General (Tempy.) mixed up with it, if not two, and at least one Lord, though possibly one of the Brigadiers is the same as the Lord; but after all they represent the Nation, so they ought to have a song. They have nothing but "Rule Britannia" now, I suppose. Their song goes to the tune of "The British Grenadiers." I have written it as a duet, but no doubt other parts could be added if the occasion should ever arise. THE NATIONAL. Air--_The British Grenadiers._ Some talk of Coalitions, Of Tories and all that; They are but cheap editions Of the one and only Nat.; Our Party has no equals, Though of course it has its peers, With a tow, row, row, row, row, row, For the British Brigadiers. You have no idea how difficult it is to write down the right number of _rows_ first time; however I daresay the General wouldn't mind a few extra ones. We represent the Nation As no one else can do; Without exaggeration Our membership is two. We rally in our masses And give three hearty cheers, With a tow, row, row, row, row, row For the National Brigadiers. There could be a great deal more of that, but perhaps you have had enough. Of course, if you don't think the poetry of my songs is good enough, I shall just have to quote some of "The International" words to show you that it's the _tune_ that matters. Here you are:-- "Arise! ye starvelings from your slumbers, Arise! ye criminals of want, For reason in revolt now thunders
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