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stage until it echoed and resounded and came bounding back in my face from every corner of the shadow-plunged theater. I knew I was in for it and drew myself up majestically although I turned pale under my war paint. "Well, tell him he isn't walking on stilts," continued the director, and although it was perfectly unnecessary, I was told that and several other things with brutal candor. The dance went on but I knew the eyes of the director were on me. My legs seemed to lose all proper coordination. My arms became unmanageable. I lost step and could not pick it up again, yet, as in a nightmare, I struggled on desperately. Suddenly the director clapped his hands. The music ceased, and I slowed down to an uneasy shuffle. "Sweetheart," said the director, addressing me personally, "you're not dancing. You're swimming, that's what you're doing. As a Persian girl you would make a first class squaw." He halted for a moment and then bawled out in a great voice, "Understudy!" and I was removed from the stage in a fainting condition. This evening I was shipped back to camp a thoroughly discredited Show Girl. I had labored long in vicious, soul-squelching corsets and like Samson been shorn of my locks, and here I am after all my sacrifices relegated back to the scrap heap. Why am I always the unfortunate one? I must have a private plot in the sky strewn with unlucky stars. Camp routine after the free life of the stage is unbearably irksome. My particular jimmy legs was so glad to see me back that he almost cried as he thrust a broom and a swab into my hands. "Bear a hand," he said gleefully, "get to work and stick to it. We're short of men," he added, "and there is no end of things for you to do." I did them all and he was right. There surely is no end to the things he can devise for me to do. I long for the glamour and footlights of the gay white way, but I have been cast out and rejected as many a Show Girl has been before me. _June 1st._ The morning papers say all sort of nice things about Biff-Bang but I can hardly believe them sincere after the treatment I received. I know for a fact that the man who took my place was knock-kneed and that the rest of his figure could not hold a candle to mine. I still feel convinced that Biff-Bang lost one of its most prepossessing and talented artists when I was so unceremoniously removed from the chorus. _June 10th._ I was standing doing harm to no one in a vague, rathe
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