onstitution. The reputation she had acquired preceded her to this
country, where she had many literary acquaintances, some of whom had
reached a high station in public esteem; and her entrance into the
best literary circles of the metropolis was thereby facilitated;
but the position which she was entitled to claim was spontaneously
conceded to talents such as hers, set off by engaging and unaffected
manners, warmth and benevolence of heart, equanimity and serenity of
temper.

The fruits of her observations in the East were given to the world
in several series of admirable papers, published in the _Asiatic
Journal_,[A] a periodical work to which she contributed with
indefatigable zeal and success, from shortly after her return to
England until her death. A selection of those papers was published, in
three volumes, in 1835, under the title of _Scenes and Characteristics
of Hindostan_, which has had a large circulation, and (a very unusual
circumstance attending works on Indian subjects) soon reached a second
edition. This work established Miss Roberts's reputation as a writer
of unrivalled excellence in this province, which demands a union of
quick and acute discernment with the faculty of vivid and graphic
delineation. Of the many attempts which have been made in this country
to furnish popular draughts of Indian "Scenes and Characteristics,"
that of Miss Roberts is the only one which has perfectly succeeded.

Her pen now came into extensive requisition, and the miscellaneous
information with which she had stored her mind enabled her, with
the aid of great fluency of composition and unremitted industry, to
perform a quantity and a variety of literary labour, astonishing to
her friends, when they considered that Miss Roberts did not seclude
herself from society, but mixed in parties, where her conversational
talents rendered her highly acceptable, and carried on, besides, a
very extensive correspondence. History, biography, poetry, tales,
local descriptions, foreign correspondence, didactic essays, even the
culinary art, by turns employed her versatile powers. Most of these
compositions were occasional pieces, furnished to periodical works;
to some she attached her name, and a few were separately published.
Amongst the latter is a very pleasing biographical sketch of Mrs.
Maclean (formerly Miss Landon), one of her oldest and dearest friends.

It was now seven years since she had quitted British India, during
which peri