s population, and the
manners of both natives and Anglo-Indians: the strong and faithful
impressions they made never faded from a memory remarkably retentive.
It is to these favourable opportunities of diversified observation, in
her journeys by land and water, along the majestic Ganges, or by the
dawk conveyance in a palanquin, and in her residence for so long a
period away from the metropolis of British India, which exhibits but
a mongrel kind of Eastern society, that the English public owe
those admirable pictures of Indian scenery and manners, which have
conquered, or contributed to conquer, its habitual distaste for such
topics.

Whilst at Cawnpore, Miss Roberts committed to the press a little
volume of poetry, entitled _Oriental Scenes_, which she dedicated to
her friend Miss Landon, then rising into eminence under the well-known
designation of L.E.L. This volume, which she republished in England,
in 1832, contains some very pleasing specimens of glowing description,
graceful imagery, and well-turned expression, which show that her
powers required only cultivation to have secured to her a respectable
rank among modern poets.

Mrs. M'Naghten died in 1831, and about this time (either soon after
or shortly before the death of her sister), she exchanged provincial
scenes and society for the more cheerful atmosphere of Calcutta, where
a new world of observation and of employment opened to her. The sketches
she has given of the City of Palaces, and of its inhabitants, prove how
accurately she had seized their characteristic features. Here her pen
was called into incessant activity; besides various contributions
to Annuals and other ephemeral works, Miss Roberts undertook the
formidable task (doubly formidable in such a climate) of editing a
newspaper, and the _Oriental Observer_, whilst under her direction,
was enriched by some valuable articles written by herself, indicating
the versatility of her talents, the extent of her resources, and the
large area of knowledge over which her active mind had ranged.

This severe over-employment, however, entailed the inevitable penalty,
loss of health, and in 1832, being now bound by no powerful tie to
India, and looking forward, perhaps, with innocent ambition, to a less
confined theatre for the display of her talents and acquisitions, she
quitted the country, and returned to England, the voyage completely
repairing the injury which the climate of India had wrought upon her
c