gling rather oddly the European with the Oriental style. Ascending
a broad flight of steps, we passed through a large kind of guard-room
to the state-apartments. These were of rather a singular description,
but handsome and well adapted to the climate. A third portion,
consisting of the front and part of the two sides of each room, was
entirely composed of windows, opening a few feet from the ground,
and having a divan running round, furnished in the usual manner with
pillows at the back. The windows of some of these apartments opened
upon gardens, laid out in the English taste and full of English
flowers; others commanded the finest prospects of the city and the
open space below. Round these rooms, at the top, forming a sort
of cornice, were pictures in compartments or panels, one series
consisting of views of the Pasha's palaces and gardens, another of the
vessels of war which belong to him, and more especially his favourite
steam-boat, of which there are many delineations. There is nothing
that more strongly exhibits the freedom with which Mehemet Ali has
thrown off the prejudices of the Moslem religion, than his permitting,
contrary to its established principles, the representation of objects
natural and artificial, which, both in painting and sculpture, is
strictly forbidden. Much cannot be said for the execution of these
pictures, which seem to have been the work of a native artist; but
they become exceedingly interesting as proofs of the decline of a
religion so completely opposed to the spread of knowledge, and to all
improvement in the moral condition of its followers.

The furniture in the Pasha's palace, though in a great measure limited
to carpets and cushions, is very handsome. The divans are covered with
rich brocade, figured satin, damask, or cut velvet. The attendants
drew aside, with great pride, the curtains which concealed the
looking-glasses, evidently fancying that we had never beheld mirrors
of such magnitude in our lives. I observed that the chandeliers in
some of the apartments did not match each other, but the whole was
very creditable to the taste and spirit of the owner. Below them was a
handsome apartment entirely lined with marble, and apparently designed
as a retreat for the hot weather, the floor being divided into two
parts--the one ascended by a step, in which the family might repose
upon cushions; the other scooped into basins, with a fountain to play
in the centre: the water either had