lots of dog
about it. He's managed that process so that the illustrations look as
expensive as first-class wood-cuts, and they're cheaper than chromos.
He's put style into the whole thing."

"Oh yes," said March, with eager meekness, "it's Beaton that's done it."

Fulkerson read jealousy of Beaton in Mrs. March's face. "Beaton has
given us the start because his work appeals to the eye. There's no
denying that the pictures have sold this first number; but I expect the
literature of this first number to sell the pictures of the second. I've
been reading it all over, nearly, since I found how the cat was jumping;
I was anxious about it, and I tell you, old man, it's good. Yes, sir! I
was afraid maybe you had got it too good, with that Boston refinement of
yours; but I reckon you haven't. I'll risk it. I don't see how you got
so much variety into so few things, and all of them palpitant, all of
'em on the keen jump with actuality."

The mixture of American slang with the jargon of European criticism in
Fulkerson's talk made March smile, but his wife did not seem to notice
it in her exultation. "That is just what I say," she broke in. "It's
perfectly wonderful. I never was anxious about it a moment, except, as
you say, Mr. Fulkerson, I was afraid it might be too good."

They went on in an antiphony of praise till March said: "Really, I don't
see what's left me but to strike for higher wages. I perceive that I'm
indispensable."

"Why, old man, you're coming in on the divvy, you know," said Fulkerson.

They both laughed, and when Fulkerson was gone, Mrs. March asked her
husband what a divvy was.

"It's a chicken before it's hatched."

"No! Truly?"

He explained, and she began to spend the divvy.

At Mrs. Leighton's Fulkerson gave Alma all the honor of the success;
he told her mother that the girl's design for the cover had sold every
number, and Mrs. Leighton believed him.

"Well, Ah think Ah maght have some of the glory," Miss Woodburn pouted.
"Where am Ah comin' in?"

"You're coming in on the cover of the next number," said Fulkerson.
"We're going to have your face there; Miss Leighton's going to sketch
it in." He said this reckless of the fact that he had already shown
them the design of the second number, which was Beaton's weird bit of
gas-country landscape.

"Ah don't see why you don't wrahte the fiction for your magazine, Mr.
Fulkerson," said the girl.

This served to remind Fulkerson of something. He