ave you come. But you wouldn't know what to do with each
other, indeed, Miss Vance."

"Perhaps we shall like each other," said the girl, bravely, "and then we
shall know. What Church are they of?"

"I don't believe they're of any," said Beaton. "The mother was brought
up a Dunkard."

"A Dunkard?"

Beaton told what he knew of the primitive sect, with its early Christian
polity, its literal interpretation of Christ's ethics, and its quaint
ceremonial of foot-washing; he made something picturesque of that. "The
father is a Mammon-worshipper, pure and simple. I suppose the young
ladies go to church, but I don't know where. They haven't tried to
convert me."

"I'll tell them not to despair--after I've converted them," said Miss
Vance. "Will you let me use you as a 'point d'appui', Mr. Beaton?"

"Any way you like. If you're really going to see them, perhaps I'd
better make a confession. I left your banjo with them, after I got it
put in order."

"How very nice! Then we have a common interest already."

"Do you mean the banjo, or--"

"The banjo, decidedly. Which of them plays?"

"Neither. But the eldest heard that the banjo was 'all the rage,' as
the youngest says. Perhaps you can persuade them that good works are the
rage, too."

Beaton had no very lively belief that Margaret would go to see the
Dryfooses; he did so few of the things he proposed that he went upon the
theory that others must be as faithless. Still, he had a cruel amusement
in figuring the possible encounter between Margaret Vance, with her
intellectual elegance, her eager sympathies and generous ideals, and
those girls with their rude past, their false and distorted perspective,
their sordid and hungry selfishness, and their faith in the omnipotence
of their father's wealth wounded by their experience of its present
social impotence. At the bottom of his heart he sympathized with them
rather than with her; he was more like them.

People had ceased coming, and some of them were going. Miss Vance said
she must go, too, and she was about to rise, when the host came up with
March; Beaton turned away.

"Miss Vance, I want to introduce Mr. March, the editor of 'Every Other
Week.' You oughtn't to be restricted to the art department. We literary
fellows think that arm of the service gets too much of the glory
nowadays." His banter was for Beaton, but he was already beyond
ear-shot, and the host went on:

"Mr. March can talk with you about your favor