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uses to read the book. On one point I must acknowledge that you have proved yourself a master of the art of fiction. What Hetty and I said to one another that day when she came upon me in the shrubbery at Alton College was known only to us two. She never told it to anyone, and I soon forgot it. All due honor, therefore, to the ingenuity with which you have filled the hiatus, and shown the state of affairs between us by a discourse on "surplus value," cribbed from an imperfect report of one of my public lectures, and from the pages of Karl Marx! If you were an economist I should condemn you for confusing economic with ethical considerations, and for your uncertainty as to the function which my father got his start by performing. But as you are only a novelist, I compliment you heartily on your clever little pasticcio, adding, however, that as an account of what actually passed between myself and Hetty, it is the wildest romance ever penned. Wickens's boy was far nearer the mark. In conclusion, allow me to express my regret that you can find no better employment for your talent than the writing of novels. The first literary result of the foundation of our industrial system upon the profits of piracy and slave-trading was Shakspere. It is our misfortune that the sordid misery and hopeless horror of his view of man's destiny is still so appropriate to English society that we even to-day regard him as not for an age, but for all time. But the poetry of despair will not outlive despair itself. Your nineteenth century novelists are only the tail of Shakspere. Don't tie yourself to it: it is fast wriggling into oblivion. I am, dear sir, yours truly, SIDNEY TREFUSIS. End of Project Gutenberg's An Unsocial Socialist, by George Bernard Shaw *** END OF THIS PROJECT GUTENBERG EBOOK AN UNSOCIAL SOCIALIST *** ***** This file should be named 1654.txt or 1654.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/6/5/1654/ Produced by Dianne Bean and David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part
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