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ain. Proceeding thither in response to a message, Alex and Jack found Wilson, who had been picked up at the viaduct station, Construction Superintendent Finnan and several other Middle Western officials. Having greeted them warmly, the division superintendent took a small package from his desk, and opened it. "I know you don't like speeches, boys," he began; "and in any case, I'm not sure I could do justice to the occasion. But, here! These three gold watches--the very finest the company's money could buy, I may say--will show you what we think of the loyalty to the company, and the splendid courage you three lads displayed last Saturday night in defense of the Antelope viaduct. "I might just read one of the inscriptions," he said, opening Alex's watch. "'To Alex Ward, from the Middle Western Railroad, in recognition of the heroic part he played in the defense of the Antelope viaduct, November 2nd, 18--, and in thus ensuring the victory of the Middle Western in its memorable race with the K. & Z. for the Yellow Creek Pass.' "For that is precisely what it meant," declared the superintendent. "The pass is ours now, beyond any chance. "And finally," he concluded, as Alex, Jack and Wilson, scarcely knowing what to say, took the three beautiful watches, "I would just like to remark that if you three boys do not some day stand where I stand, or higher, I'll be both greatly surprised and disappointed." * * * * * That this prediction was justified, you can to-day learn from any directory of railroad officials--for there, in the pages devoted to the Middle Western, you will find the name of Alexander Ward, Superintendent, Western Division; John Orr, Superintendent, Central Division; and, as General Superintendent of Telegraphs, Wilson A. Jennings. ***END OF THE PROJECT GUTENBERG EBOOK THE YOUNG RAILROADERS*** ******* This file should be named 25868.txt or 25868.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/2/5/8/6/25868 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the Gene
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