ultiplicity of Seneca's productions, it is evident, that,
notwithstanding the luxurious life he is said to have led, he was greatly
devoted to literature, a propensity which, it is probable, was confirmed
by his banishment during almost eight years in the island of Corsica,
where he was in a great degree secluded from every other resource of
amusement to a cultivated mind. But with whatever splendour Seneca's
domestic economy may have been supported, it seems highly improbable that
he indulged himself in luxurious enjoyment to any vicious excess. His
situation at the Roman court, being honourable and important, could not
fail of being likewise advantageous, not only from the imperial profusion
common at that time, but from many contingent emoluments which his
extensive interest and patronage would naturally afford him. He was born
of a respectable rank, lived in habits of familiar intercourse with
persons of the first distinction, and if, in the course of his attendance
upon Nero, he had acquired a large fortune, no blame could justly attach
to his conduct in maintaining an elegant hospitality. The imputation of
luxury was thrown upon him from two quarters, viz, by the dissolute
companions of Nero, to whom the mention of such an example served as an
apology for their own extreme dissipation; (392) and by those who envied
him for the affluence and dignity which he had acquired. The charge,
however, is supported only by vague assertion, and is discredited by
every consideration which ought to have weight in determining the reality
of human characters. It seems totally inconsistent with his habits of
literary industry, with the virtuous sentiments which he every where
strenuously maintains, and the esteem with which he was regarded by a
numerous acquaintance, as a philosopher and a moralist.

The writings of Seneca have been traduced almost equally with his manner
of living, though in both he has a claim to indulgence, from the fashion
of the times. He is more studious of minute embellishments in style than
the writers of the Augustan age; and the didactic strain, in which he
mostly prosecutes his subjects, has a tendency to render him sententious;
but the expression of his thoughts is neither enfeebled by decoration,
nor involved in obscurity by conciseness. He is not more rich in
artificial ornament than in moral admonition. Seneca has been charged
with depreciating former writers, to render himself more conspicuo