ercules Mad." In the last
tragedy, it is said that a young sentinel, posted at the entrance of the
stage, seeing him in a prison dress and bound with fetters, as the fable
of the play required, ran to his assistance.

XXII. He had from his childhood an extravagant passion for horses; and
his constant talk was of the Circensian races, notwithstanding it was
prohibited him. Lamenting once, among his fellow-pupils, the case of a
charioteer of the green party, who was dragged round the circus at the
tail of his chariot, and being reprimanded by his tutor for it, he
pretended that he was talking of Hector. In the beginning of his reign,
he used to amuse himself daily with chariots drawn by four horses, made
of ivory, upon a table. He attended at all the lesser exhibitions in the
circus, at first privately, but at last openly; so that nobody ever
doubted of his presence on any particular day. Nor did he conceal his
desire to have the number of the prizes doubled; so that the races being
increased accordingly, the diversion continued until a late hour; the
leaders of parties refusing now to bring out their companies for any time
less than the whole day. Upon this, he took a fancy for driving the
chariot himself, and that even publicly. Having made his first
experiment in the gardens, amidst crowds of slaves and other rabble, he
at length performed in the view of all the people, in the Circus Maximus,
whilst one of his freedmen dropped the napkin in the place where the
magistrates used to give the signal. Not satisfied with exhibiting
various specimens of his skill in those arts at Rome, he went over to
Achaia, as has been already said, principally for this purpose. The
several cities, in which solemn trials of musical skill used to be
publicly held, had resolved to send him the crowns belonging to those who
bore away the prize. These he accepted so graciously, that he not only
gave the deputies who brought them an immediate audience, but even
invited them to his table. Being requested by some of them to sing at
supper, and prodigiously applauded, he said, "the Greeks were the only
people who has an ear for music, and were the only good judges of him and
his attainments." Without delay he commenced his journey, and on his
arrival at Cassiope [587], (352) exhibited his first musical performance
before the altar of Jupiter Cassius.

XXIII. He afterwards appeared at the celebration of all public games in
Greece: for