longing to the fleet just arrived at Naples [584], he sent
for more of the like singers from Alexandria. At the same time, he chose
young men of the equestrian order, and above five thousand robust young
fellows from the common people, on purpose to learn various kinds of
applause, called bombi, imbrices, and testae [585], which they were to
practise in his favour, whenever he performed. They were (351) divided
into several parties, and were remarkable for their fine heads of hair,
and were extremely well dressed, with rings upon their left hands. The
leaders of these bands had salaries of forty thousand sesterces allowed
them.

XXI. At Rome also, being extremely proud of his singing, he ordered the
games called Neronia to be celebrated before the time fixed for their
return. All now becoming importunate to hear "his heavenly voice," he
informed them, "that he would gratify those who desired it at the
gardens." But the soldiers then on guard seconding the voice of the
people, he promised to comply with their request immediately, and with
all his heart. He instantly ordered his name to be entered upon the list
of musicians who proposed to contend, and having thrown his lot into the
urn among the rest, took his turn, and entered, attended by the prefects
of the pretorian cohorts bearing his harp, and followed by the military
tribunes, and several of his intimate friends. After he had taken his
station, and made the usual prelude, he commanded Cluvius Rufus, a man of
consular rank, to proclaim in the theatre, that he intended to sing the
story of Niobe. This he accordingly did, and continued it until nearly
ten o'clock, but deferred the disposal of the crown, and the remaining
part of the solemnity, until the next year; that he might have more
frequent opportunities of performing. But that being too long, he could
not refrain from often appearing as a public performer during the
interval. He made no scruple of exhibiting on the stage, even in the
spectacles presented to the people by private persons, and was offered by
one of the praetors, no less than a million of sesterces for his
services. He likewise sang tragedies in a mask; the visors of the heroes
and gods, as also of the heroines and goddesses, being formed into a
resemblance of his own face, and that of any woman he was in love with.
Amongst the rest, he sung "Canace in Labour," [586] "Orestes the Murderer
of his Mother," "Oedipus (352) Blinded," and "H