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the reading of a new poem. It is true that if the sense of privation has been acute, the pleasure is proportionally increased; and that few pleasures of any great intensity grow up from indifference: still, remission and alternation may give a zest for enjoyment without any consciousness of pain. The principle of Comparison is capriciously made use of by Paley, in his account of the elements of Happiness. He applies it forcibly and felicitously to depreciate certain pleasures--as greatness, rank, and station--and withholds its application from the pleasures that he more particularly countenances,--namely, the social affections, the exercise of the faculties, and health. * * * * * [SIMPLICITY OF STYLE A RELATIVE MERIT.] The great praise often accorded to Simplicity of Style, in literature, is an example of the suppression of the correlative in a case of mutual relationship. Simplicity is not an absolute merit; it is frequently a merit by correlation. Thus, if a certain subject has never been treated except in abstruse and difficult terminology, a man of surpassing literary powers, setting it forth in homely and intelligible language, produces a work whose highest praise is expressed by Simplicity. Again, after the last century period of artificial, complex, and highly-wrought composition, the reaction of Cowper and Wordsworth in favour of simplicity was an agreeable and refreshing change, and was in great part acceptable because of the change. It does not appear that Wordsworth comprehended this obvious fact; to him, a simplicity that cost nothing to the composer, and brought no novelty to the reader, had still a transcendent merit. * * * * * It has been a frequent practice of late years to celebrate the praises of Knowledge. Many eloquent speakers have dilated on the happiness and the superiority of the enlightened and the cultivated man. Now, the correlative or obverse must be equally true: there must be a corresponding degradation and disqualification attaching to ignorance and the want of instruction. This correlative and equally cogent statement is suppressed on certain occasions, and by persons that would not demur to the praises of knowledge: as, when we are told of the native good sense, the untaught sagacity, the admirable instincts of the people,--that is, of the ignorant or the uneducated. Hence the great value of the expository device
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