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to pass through two more doors before they came to the spiral staircase which led down into the gloomy depths beneath the Secret House. To Ela's surprise they were illuminated and he feared that against his orders the dynamo had been restarted, but the man reassured him. "They are from the storage batteries," he said. "There is sufficient to afford light all over the house, but not enough to give power." The steps seemed never ending. Ela counted eighty-seven before at last they came to a landing from which one door opened. The detective noticed that the man employed the same method of entering here as he himself had done. A bodkin slipped into an almost invisible hole produced the mechanical unsealing of this doorway. Ela stepped through the open door. Two lights burned dimly; he saw the strapped figure in the chair and his heart sank. He went forward at a run and Farrington was the first to hear him. The big man turned, a revolver in his hand. There was a quick deafening report, and another, and a third. Ela stood up unmoved, unharmed, but Farrington, rocking as he staggered to the table, slid to the ground with a bullet through his heart. "Take that man," said Ela, and in an instant Fall was handcuffed and secure. Then Ela heard a silent sneeze and through the smoke from the revolver shots the voice of T. B. Smith, saying: "A pity it takes such ill-smelling powder to send our clever friend on his long journey." End of the Project Gutenberg EBook of The Secret House, by Edgar Wallace *** END OF THIS PROJECT GUTENBERG EBOOK THE SECRET HOUSE *** ***** This file should be named 26176.txt or 26176.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/6/1/7/26176/ Produced by D Alexander, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic wo
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