FREE BOOKS

Author's List




PREV.   NEXT  
|<   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36  
37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   >>   >|  
y, pronounced to be "as bad as bad could be, ill fed, ill killed, ill kept, and ill dressed." This edition is ill compiled, ill arranged, ill written, and ill printed.--MACAULAY in _Edinburgh Review_. CARLYLE There is in Carlyle's fiercer and more serious passages a fiery glow of enthusiasm or indignation, in his lighter ones a quaint felicity of unexpected humor, in his expositions a vividness of presentment, in his arguments a sledge-hammer force, all of which are not to be found together anywhere else, and none of which is to be found anywhere in quite the same form. And despite the savagery, both of his indignation and his laughter, there is no greater master of tenderness. Wherever he is at home, and he seldom wanders far from it, the weapon of Carlyle is like none other,--it is the very sword of Goliath. SAINTSBURY. GRAY Against the right of Gray to be considered one of the leading English men of letters no more stringent argument has been produced than is founded upon the paucity of his published work. It has fairly been said that the springs of originality in the brain of a great inventive genius are bound to bubble up more continuously and in fuller volume than could be confined within the narrow bounds of the poetry of Gray. But the sterility of the age, the east wind of discouragement steadily blowing across the poet's path, had much to do with this apparent want of fecundity, and it would be an error to insist too strongly on a general feature of the century in this individual case. When we turn to what Gray actually wrote, although the bulk of it is small, we are amazed at the originality and variety, the freshness and vigor of the mind that worked thus tardily and in miniature.--GOSSE. SHAKESPEARE Shakespeare has no peculiarity, no importunate topic; but all is duly given; no views, no curiosities; no cow-painter, no bird-fancier, no mannerist is he: he has no discoverable egotism; the great he tells greatly; the small, subordinately. He is wise without emphasis or assertion; he is strong, as nature is strong, who lifts the land into mountain slopes without effort, and by the same rule as she floats a bubble in the air, and likes as well to do the
PREV.   NEXT  
|<   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36  
37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   >>   >|  



Top keywords:
indignation
 

originality

 

bubble

 

Carlyle

 
strong
 
effort
 

insist

 
fecundity
 

strongly

 

individual


mountain

 

century

 
feature
 

apparent

 
slopes
 
general
 

discouragement

 

sterility

 
bounds
 

poetry


steadily

 

blowing

 

floats

 
curiosities
 

emphasis

 
peculiarity
 

assertion

 

importunate

 

painter

 

subordinately


egotism

 

discoverable

 
fancier
 

mannerist

 

Shakespeare

 

narrow

 
amazed
 
variety
 

greatly

 

freshness


miniature

 

SHAKESPEARE

 

tardily

 

nature

 
worked
 

published

 
vividness
 

presentment

 
arguments
 

sledge