od!" and fled into the night, howling like a dog. Mistress
Vandeleur had fled already. Down on her knees goes Angelica, to stanch
Geoffrey's flux.
Thus far, straight history. Apocrypha, all the rest: you shall pick
your own sequel. As for instance, some say Geoffrey bled to the death,
whereby stepped Master Joffers to the scaffold, and Angelica (the
Vandeleur too, like as not) to a nunnery. Others have it he lived,
thanks to nurse Angelica, who, thereon wed, suckled him twin Dizzards
in due season. Joffers, they say, had wife already, else would have
wed the Vandeleur, for sake of symmetry.
DICKENS
_By_
G**RGE M**RE
I had often wondered why when people talked to me of Tintoretto I
always found myself thinking of Turgeneff. It seemed to me strange
that I should think of Turgeneff instead of thinking of Tintoretto;
for at first sight nothing can be more far apart than the Slav mind
and the Flemish. But one morning, some years ago, while I was musing
by my fireplace in Victoria Street, Dolmetsch came to see me. He had
a soiled roll of music under his left arm. I said, "How are you?" He
said, "I am well. And you?" I said, "I, too, am well. What is that, my
dear Dolmetsch, that you carry under your left arm?" He answered, "It
is a Mass by Palestrina." "Will you read me the score?" I asked. I was
afraid he would say no. But Dolmetsch is not one of those men who say
no, and he read me the score. He did not read very well, but I had
never heard it before, so when he finished I begged of him he would
read it to me again. He said, "Very well, M**re, I will read it to you
again." I remember his exact words, because they seemed to me at the
time to be the sort of thing that only Dolmetsch could have said. It
was a foggy morning in Victoria Street, and while Dolmetsch read again
the first few bars, I thought how Renoir would have loved to paint
in such an atmosphere the tops of the plane trees that flaccidly show
above the wall of Buckingham Palace.... Why had I never been invited
to Buckingham Palace? I did not want to go there, but it would have
been nice to have been asked.... How _brave gaillard_ was Renoir, and
how well he painted from that subfusc palette!...
My roving thoughts were caught back to the divine score which
Arnold Dolmetsch was reading to me. How well placed they were, those
semibreves! Could anyone but Palestrina have placed them so nicely? I
wondered what girl Palestrina was courting when h
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