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The Project Gutenberg EBook of A Christmas Garland, by Max Beerbohm This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: A Christmas Garland Author: Max Beerbohm Release Date: January 11, 2005 [EBook #14667] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK A CHRISTMAS GARLAND *** Produced by Suzanne Shell, William Flis, and the Online Distributed Proofreading Team. A CHRISTMAS GARLAND _woven by_ MAX BEERBOHM LONDON MCMXXI WILLIAM HEINEMANN First printed, October, 1912. New Impressions, October, 1912; December, 1912; December, 1912; July, 1918; September, 1918; March, 1931. Copyright, 1912. BY THE SAME AUTHOR THE WORKS OF MAX BEERBOHM MORE YET AGAIN A CHRISTMAS GARLAND THE HAPPY HYPOCRITE ZULIEKA DOBSON SEVEN MEN AND EVEN NOW CARICATURES OF TWENTY-FIVE GENTLEMEN THE POETS' CORNER THE SECOND CHILDHOOD OF JOHN BULL A BOOK OF CARICATURES FIFTY CARICATURES NOTE _Stevenson, in one of his essays, tells us how he "played the sedulous ape" to Hazlitt, Sir Thomas Browne, Montaigne, and other writers of the past. And the compositors of all our higher-toned newspapers keep the foregoing sentence set up in type always, so constantly does it come tripping off the pens of all higher-toned reviewers. Nor ever do I read it without a fresh thrill of respect for the young Stevenson. I, in my own very inferior boyhood, found it hard to revel in so much as a single page of any writer earlier than Thackeray. This disability I did not shake off, alas, after I left school. There seemed to be so many live authors worth reading. I gave precedence to them, and, not being much of a reader, never had time to grapple with the old masters. Meanwhile, I was already writing a little on my own account. I had had some sort of aptitude for Latin prose and Latin verse. I wondered often whether those two things, essential though they were (and are) to the making of a decent style in English prose, sufficed for the making of a style more than decent. I felt that I must have other models. And thus I acquired the habit of aping, now and again, quite sedulously, this or that live writer--sometimes, it must
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