ght, would shew the
Usefulness and Elegancy of it, with the Pleasure and Instruction
produc'd from it; and also lay down some fundamental Rules, that might
so tend to the Improvement of its Professors, and Information of the
Spectators, that the first might be the better enabled to perform, and
the latter render'd more capable of judging, what is (if there be any
thing) valuable in this Art.

To encourage therefore some ingenious Pen capable of so generous an
Undertaking, and in some measure to relieve Dancing from the
Disadvantages it at present lies under, I, who teach to dance, have
attempted a small Treatise as an Essay towards an History of Dancing;
in which I have enquired into its Antiquity, Original, and Use, and
shewn what Esteem the Ancients had for it: I have likewise considered
the Nature and Perfection of all its several Parts, and how beneficial
and delightful it is, both as a Qualification and an Exercise; and
endeavoured to answer all Objections that have been maliciously rais'd
against it. I have proceeded to give an Account of the particular
Dances of the Greeks and Romans, whether religious, warlike, or civil;
and taken particular notice of that Part of Dancing relating to the
ancient Stage, and in which the Pantomimes had so great a share: Nor
have I been wanting in giving an historical Account of some particular
Masters excellent in that surprising Art. After which, I have advanced
some Observations on the modern Dancing, both as to the Stage, and
that Part of it so absolutely necessary for the Qualification of
Gentlemen and Ladies; and have concluded with some short Remarks on
the Origin and Progress of the Character by which Dances are writ
down, and communicated to one Master from another. If some great
Genius after this would arise, and advance this Art to that Perfection
it seems capable of receiving, what might not be expected from it? For
if we consider the Origin of Arts and Sciences, we shall find that
some of them took rise from Beginnings so mean and unpromising, that
it is very wonderful to think that ever such surprizing Structures
should have been raised upon such ordinary Foundations. But what
cannot a great Genius effect? Who would have thought that the
clangorous Noise of a Smiths Hammers should have given the first rise
to Musick? Yet Macrobius in his second Book relates, that Pythagoras,
in passing by a Smiths