atters that
appear the most remote from it. A Man of Learning and Sense is
distinguished from others as he is such, tho he never runs upon Points
too difficult for the rest of the World; in like Manner the reaching out
of the Arm, and the most ordinary Motion, discovers whether a Man ever
learnt to know what is the true Harmony and Composure of his Limbs and
Countenance. Whoever has seen Booth in the Character of Pyrrhus, march
to his Throne to receive Orestes, is convinced that majestick and great
Conceptions are expressed in the very Step; but perhaps, tho no other
Man could perform that Incident as well as he does, he himself would do
it with a yet greater Elevation were he a Dancer. This is so dangerous a
Subject to treat with Gravity, that I shall not at present enter into it
any further; but the Author of the following Letter [1] has treated it
in the Essay he speaks of in such a Manner, that I am beholden to him
for a Resolution, that I will never hereafter think meanly of any thing,
till I have heard what they who have another Opinion of it have to say
in its Defence.

Mr. SPECTATOR,
Since there are scarce any of the Arts or Sciences that have not been
recommended to the World by the Pens of some of the Professors,
Masters, or Lovers of them, whereby the Usefulness, Excellence, and
Benefit arising from them, both as to the Speculative and practical
Part, have been made publick, to the great Advantage and Improvement
of such Arts and Sciences; why should Dancing, an Art celebrated by
the Ancients in so extraordinary a Manner, be totally neglected by the
Moderns, and left destitute of any Pen to recommend its various
Excellencies and substantial Merit to Mankind?

The low Ebb to which Dancing is now fallen, is altogether owing to
this Silence. The Art is esteem'd only as an amusing Trifle; it lies
altogether uncultivated, and is unhappily fallen under the Imputation
of Illiterate and Mechanick: And as Terence in one of his Prologues,
complains of the Rope-dancers drawing all the Spectators from his
Play, so may we well say, that Capering and Tumbling is now preferred
to, and supplies the Place of just and regular Dancing on our
Theatres. It is therefore, in my opinion, high time that some one
should come in to its Assistance, and relieve it from the many gross
and growing Errors that have crept into it, and over-cast its real
Beauties; and to set Dancing in its true li