_Aristotle_ [12] tho it may be true in other Occasions, does not hold
in this; because in the present Case, though the Persons who fall into
Misfortune are of the most perfect and consummate Virtue, it is not to
be considered as what may possibly be, but what actually is our own
Case; since we are embarked with them on the same Bottom, and must be
Partakers of their Happiness or Misery.
In this, and some other very few Instances, _Aristotle's_ Rules for Epic
Poetry (which he had drawn from his Reflections upon _Homer_) cannot be
supposed to quadrate exactly with the Heroic Poems which have been made
since his Time; since it is plain his Rules would [still have been [13]]
more perfect, could he have perused the _AEneid_ which was made some
hundred Years after his Death.
_In my next, I shall go through other Parts of_ Milton's _Poem; and hope
that what I shall there advance, as well as what I have already written,
will not only serve as a Comment upon_ Milton, _but upon_ Aristotle.
L.
[Footnote 1: [These are what Aristotle means by the Fable and &c.]]
[Footnote 2: [Offspring]]
[Footnote 3: [Son of Aurora who has]]
[Footnote 4: [that his Poem]]
[Footnote 5: It was especially for the novelty of _Paradise Lost_, that
John Dennis had in 1704 exalted Milton above the ancients. In putting
forward a prospectus of a large projected work upon the Grounds of
Criticism in Poetry, he gave as a specimen of the character of his
work, the substance of what would be said in the beginning of the
Criticism upon Milton. Here he gave Milton supremacy on ground precisely
opposite to that chosen by Addison. He described him as
one of the greatest and most daring Genius's that has appear'd in the
World, and who has made his country a glorious present of the most
lofty, but most irregular Poem, that has been produc'd by the Mind of
Man. That great Man had a desire to give the World something like an
Epick Poem; but he resolv'd at the same time to break thro the Rules
of Aristotle. Not that he was ignorant of them, or contemned them....
Milton was the first who in the space of almost 4000 years resolv'd
for his Country's Honour and his own, to present the World with an
Original Poem; that is to say, a Poem that should have his own
thoughts, his own images, and his own spirit. In order to this he was
resolved to write a Poem, that, by virtue of its extraordinary
Subject, cannot so properly be
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