we may
well believe that the force of our invention is infinitely short of their
merit. 'Tis the duty of good men to portray virtue as beautiful as they
can, and there would be nothing wrong should our passion a little
transport us in favour of so sacred a form. What these people do, on the
contrary, they either do out of malice, or by the vice of confining their
belief to their own capacity; or, which I am more inclined to think, for
not having their sight strong, clear, and elevated enough to conceive the
splendour of virtue in her native purity: as Plutarch complains, that in
his time some attributed the cause of the younger Cato's death to his
fear of Caesar, at which he seems very angry, and with good reason; and
by this a man may guess how much more he would have been offended with
those who have attributed it to ambition. Senseless people! He would
rather have performed a noble, just, and generous action, and to have had
ignominy for his reward, than for glory. That man was in truth a pattern
that nature chose out to show to what height human virtue and constancy
could arrive.

But I am not capable of handling so rich an argument, and shall therefore
only set five Latin poets together, contending in the praise of Cato;
and, incidentally, for their own too. Now, a well-educated child will
judge the two first, in comparison of the others, a little flat and
languid; the third more vigorous, but overthrown by the extravagance of
his own force; he will then think that there will be room for one or two
gradations of invention to come to the fourth, and, mounting to the pitch
of that, he will lift up his hands in admiration; coming to the last, the
first by some space' (but a space that he will swear is not to be filled
up by any human wit), he will be astounded, he will not know where he is.

And here is a wonder: we have far more poets than judges and interpreters
of poetry; it is easier to write it than to understand it. There is,
indeed, a certain low and moderate sort of poetry, that a man may well
enough judge by certain rules of art; but the true, supreme, and divine
poesy is above all rules and reason. And whoever discerns the beauty of
it with the most assured and most steady sight, sees no more than the
quick reflection of a flash of lightning: it does not exercise, but
ravishes and overwhelms our judgment. The fury that possesses him who is
able to penetrate into it wounds yet a third man by hearing