nd it; had him ever after for his very great friend, and was, at
last, made by him sole heir to all his estate. Now, from the time of
this accident which befell Augustus in the fortieth year of his age, he
never had any conspiracy or attempt against him, and so reaped the due
reward of this his so generous clemency. But it did not so happen with
our prince, his moderation and mercy not so securing him, but that he
afterwards fell into the toils of the like treason,--[The Duc de Guise
was assassinated in 1563 by Poltrot.]--so vain and futile a thing is
human prudence; throughout all our projects, counsels and precautions,
Fortune will still be mistress of events.

We repute physicians fortunate when they hit upon a lucky cure, as if
there was no other art but theirs that could not stand upon its own legs,
and whose foundations are too weak to support itself upon its own basis;
as if no other art stood in need of Fortune's hand to help it. For my
part, I think of physic as much good or ill as any one would have me:
for, thanks be to God, we have no traffic together. I am of a quite
contrary humour to other men, for I always despise it; but when I am
sick, instead of recanting, or entering into composition with it, I
begin, moreover, to hate and fear it, telling them who importune me to
take physic, that at all events they must give me time to recover my
strength and health, that I may be the better able to support and
encounter the violence and danger of their potions. I let nature work,
supposing her to be sufficiently armed with teeth and claws to defend
herself from the assaults of infirmity, and to uphold that contexture,
the dissolution of which she flies and abhors. I am afraid, lest,
instead of assisting her when close grappled and struggling with disease,
I should assist her adversary, and burden her still more with work to do.

Now, I say, that not in physic only, but in other more certain arts,
fortune has a very great part.

The poetic raptures, the flights of fancy, that ravish and transport the
author out of himself, why should we not attribute them to his good
fortune, since he himself confesses that they exceed his sufficiency and
force, and acknowledges them to proceed from something else than himself,
and that he has them no more in his power than the orators say they have
those extraordinary motions and agitations that sometimes push them
beyond their design. It is the same in painting, where tou