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Chapter IX. Washington And Geneva. (1870-1872) Chapter X. As Head Of A Cabinet. (1868-1874) Chapter XI. Catholic Country And Protestant Parliament. (1873) Chapter XII. The Crisis. (1873) Chapter XIII. Last Days Of The Ministry. (1873) Chapter XIV. The Dissolution. (1874) Book VII. 1874-1880 Chapter I. Retirement From Leadership. (1874-1875) Chapter II. Vaticanism. (1874-1875) Chapter III. The Octagon. Chapter IV. Eastern Question Once More. (1876-1877) Chapter V. A Tumultuous Year. (1878) Chapter VI. Midlothian. (1879) Chapter VII. The Eve Of The Battle. (1879) Chapter VIII. The Fall Of Lord Beaconsfield. (1880) Chapter IX. The Second Ministry. (1880) Appendix Footnotes [Frontispiece: Portrait of Gladstone.] William Ewart Gladstone; from a painting by Sir J. E. Millais, P.R.A, in the National Gallery. BOOK V. 1859-1868 Chapter I. The Italian Revolution. (1859-1860) Rarely, if ever, in the course of our history has there been such a mixture of high considerations, legislative, military, commercial, foreign, and constitutional, each for the most part traversing the rest, and all capable of exercising a vital influence on public policy, as in the long and complicated session of 1860. The commercial treaty first struck the keynote of the year; and the most deeply marked and peculiar feature of the year was the silent conflict between the motives and provisions of the treaty on the one hand, and the excitement and exasperation of military sentiment on the other.--GLADSTONE.(1) This description extends in truth much beyond the session of a given year to the whole existence of the new cabinet, and through a highly important period in Mr. Gladstone's career. More than that, it directly links our biographic story to a series of events that created kingdoms, awoke nations, and re-made the map of Europe. The opening of this long and complex episode was the Italian revolution. Writing to Sir John Acton in 1864 Mr. Gladstone said to him of the budget of 1860, "When viewed as a whole, it is one of the few cases in which my fortunes as an individual have been closely associated with matters of a public and even an historic interest." I will venture to recall in outline to the reader's memory the ampler background of this striking epoch in Mr. Gladstone's public li
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