FREE BOOKS

Author's List




PREV.   NEXT  
|<   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69  
70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   >>   >|  
ory of Costume in England, by the author of these notes, it has been remarked that the freedom and looseness, as well as ease and elegance of female costume at this period is to be attributed to the taste of Sir Peter Lely, rather than to that exhibited by the _Beauties_ of Charles's court. "It was to his taste, as it was to that of a later artist, Sir Joshua Reynolds, that we are indebted for the freedom which characterized their treatment of the rigid and somewhat ungraceful costumes before them." Walpole, in his "Anecdotes of Painting," says, "Lely supplied the want of taste with _clinquant_; his nymphs trail fringes, and embroidery, through meadows and purling streams. Vandyke's habits are those of the times; Lely's, a sort of fantastic night-gown fastened with a single pin." Lely's ladies are not unfrequently _en masque_, and are habited in the conventional dresses adopted for goddesses in the court of Versailles. [H] Nell appears to have first fixed the attention of the King by appearing at the King's Theatre in an Epilogue written for her by Dryden; who, taking a _pique_ at the rival theatre, when Nokes, the famous comedian, had appeared in a hat of large proportions, which mightily delighted the silly and volatile frequenters of the place, brought forward Nell in a hat as large as a coach-wheel, which gave her short figure so grotesque an air, that the very actors laughed outright and the whole theatre was in convulsions of merriment. His Majesty was nearly suffocated by the excess of his delight; and the _naive_ manner of the actress, her wit, archness, and beauty, received additional zest by the extravagance of "the broad-brimmed hat and waist-belt" in which Dryden had attired her, and which fixed her permanently in the memory of "the merry Monarch." [I] "Improvement" has extended far beyond Old Brompton. The little wooden house of the old rat-catcher has been swept away, and he is obliged to locate himself and his live stock in some back lane, where none but his friends can find him; and as he is disastrously poor, their number is very limited. [J] Then vicar of St. Martin's, and afterwards Archbishop of Canterbury. In that sermon he enlarged upon her benevolent qualities, her sincere penitence, and exemplary end. When, says Mrs. Jameson, this was afterwards mentioned to Queen Mary, in the hope that it would injure him in her estimation, and be a bar to his preferment, "And what then?" answered she, has
PREV.   NEXT  
|<   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69  
70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   >>   >|  



Top keywords:
theatre
 

Dryden

 

freedom

 

estimation

 
preferment
 
extravagance
 

brimmed

 
permanently
 

extended

 

Brompton


Improvement

 

memory

 
additional
 

injure

 
Monarch
 
attired
 

merriment

 

convulsions

 
Majesty
 

outright


actors

 

laughed

 

suffocated

 
excess
 

actress

 
archness
 

beauty

 

manner

 

delight

 

answered


received

 

Martin

 
Archbishop
 

mentioned

 

number

 

limited

 
Canterbury
 
Jameson
 

qualities

 

exemplary


sincere

 

benevolent

 

sermon

 

enlarged

 
disastrously
 

obliged

 
locate
 

catcher

 
wooden
 

penitence