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feet, and whirl round and round until from very giddiness she would stagger and fall. She would lay hold of the straw with her teeth, and shake it as a dog shakes a struggling woodchuck; then dashing it from her mouth, she would seize hold of her own sides, and send herself. Springing up, she would rush against the end of the car, falling all in a heap from the violence of the concussion. For some fifteen minutes without intermission the frenzy lasted. I was nearly exhausted. My efforts to avoid her mad rushes, the terrible tension of my nervous system produced by the spectacle of such exquisite and prolonged suffering, were weakening me beyond what I should have thought it possible an hour before for anything to weaken me. In fact, I felt my strength leaving me. A terror such as I had never yet felt was taking possession of my mind. I sickened at the sight before me, and at the thought of agonies yet to come. 'My God,' I exclaimed, 'must I be killed by own horse in this miserable car!' Even as I spoke the end came. The mare raised herself until her shoulders touched the roof, then dashed her body upon the floor with a violence which threatened the stout frame beneath her. I leaned, panting and exhausted, against the side of the car. Gulnare did not stir. She lay motionless, her breath coming and going in lessening respirations. I tottered toward her, and, as I stood above her, my ear detected a low gurgling sound. I can not describe the feeling that followed. Joy and grief contended within me. I knew the meaning of that sound. Gulnare, in her frenzied violence, had broken a blood-vessel, and was bleeding internally. Pain and life were passing away together. "I knelt down by her side." End of the Project Gutenberg EBook of A Ride With A Mad Horse In A Freight-Car, by W. H. H. Murray *** END OF THIS PROJECT GUTENBERG EBOOK RIDE WITH A MAD HORSE *** ***** This file should be named 23168.txt or 23168.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/3/1/6/23168/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set
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