guilty of no loud talking or laughing, and by all means avoid
conspicuous flirting in so public a place.

As a gentleman must always remove his hat in the presence of ladies, so
he should remain with head uncovered, carrying his hat in his hand, in a
public place of this character.

CONDUCT IN AN ARTIST'S STUDIO.

If you have occasion to visit an artist's studio, by no means meddle
with anything in the room. Reverse no picture which stands or hangs with
face to the wall; open no portfolio without permission, and do not alter
by a single touch any lay-figure or its drapery, piece of furniture or
article of _vertu_ posed as a model. You do not know with what care the
artist may have arranged these things, nor what trouble the
disarrangement may cost him.

Use no strong expression either of delight or disapprobation at anything
presented for your inspection. If a picture or a statue please you, show
your approval and appreciation by close attention, and a few quiet, well
chosen words, rather than by extravagant praise.

Do not ask the artist his prices unless you really intend to become a
purchaser; and in this case it is best to attentively observe his works,
make your choice, and trust the negotiation to a third person or to a
written correspondence with the artist after the visit is concluded. You
may express your desire for the work and obtain the refusal of it from
the artist. If you desire to conclude the bargain at once you may ask
his price, and if he names a higher one than you wish to give, you may
say as much and mention the sum you are willing to pay, when it will be
optional with the artist to maintain his first price or accept your
offer.

It is not proper to visit the studio of an artist except by special
invitation or permission, and at an appointed time, for you cannot
estimate how much you may disturb him at his work. The hours of daylight
are all golden to him; and steadiness of hand in manipulating a pencil
is sometimes only acquired each day after hours of practice, and may be
instantly lost on the irruption and consequent interruption of visitors.

Never take a young child to a studio, for it may do much mischief in
spite of the most careful watching. At any rate, the juvenile visitor
will try the artist's temper and nerves by keeping him in a constant
state of apprehension.

If you have engaged to sit for your portrait never keep the artist
waiting one moment beyond the appointed time. If