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hem away.] [Footnote 33: The "Comment of the Comments" is a celebrated explanatory treatise on the Koran.] [Footnote 34: Kaf is a fabulous mountain encircling the world. In this couplet and the following the poet ridicules the ascetics of his time.] [Footnote 35: The false coiners are inferior poets who endeavor to pass off their own productions as the work of Hafiz.] [Footnote 36: Aiman (Happiness) is the valley in which God appeared to Moses--metaphorically, the abode of the Beloved.] [Footnote 37: "Mihrab"--the niche in a mosque, towards which Mohammedans pray.] [Footnote 38: Kalandars are an order of Mohammedan dervishes who wander about and beg. The worthless sectaries of Kalandarism, Hafiz says, shave off beard and tonsure, but the true or spiritual Kalandar shapes his path by a scrupulous estimate of duty.] [Footnote 39: "Farrukh" (auspicious) is doubtless the name of some favorite of the Poet.] [Footnote 40: "Hindu" is here equivalent to "slave."] [Footnote 41: Zerdusht (in Latin, Zoroaster)--the celebrated prophet of the Gulbres, or fire-worshippers. Nimrod is said to have practised a religion, similar to theirs.] [Footnote 42: Ad and Thamud were Arab tribes exterminated by God in consequence of their having disobeyed the prophet Salih.] [Footnote 43: By a "grain" is meant a grain of wheat; according to Mohammedans, the forbidden fruit of Paradise.] [Footnote 44: Kamal was an Arab whose glance inflicted death.] [Footnote 45: "Alif-form," meaning a straight and erect form: the letter Alif being, as it were, of upright stature.] [Footnote 46: "The men who glance" are lovers. The spiritual or true lover is he who loves God.] END OF VOLUME ONE ***END OF THE PROJECT GUTENBERG EBOOK PERSIAN LITERATURE, VOLUME 1,COMPRISING THE SHAH NAMEH, THE RUBAIYAT, THE DIVAN, AND THE GULISTAN *** ******* This file should be named 10315.txt or 10315.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.net/1/0/3/1/10315 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply
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