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he fact is I am not quite sane; talking with you after a fortnight of the tabbies at the Hydro is like quaffing inebriating vodka after Miffin's Food! May I come to-morrow?" _Bailiffs Daughter_ (hedging).--"I shall be rather busy; the Crossed Minorca hen comes off to-morrow." _True Love_.--"Oh, never mind! I'll take her off to-night when I escort you to the farm; then she'll get a day's advantage." _Bailiff's Daughter_.--"And rob fourteen prospective chicks of a mother; nay, lose the chicks themselves? Never!" _True Love_.--"So long as you are a Goose Girl, does it make any difference whose you are? Is it any more agreeable to be Mrs. Heaven's Goose Girl than mine?" _Bailiff's Daughter_.--"Ah! but in one case the term of service is limited; in the other, permanent." _True Love_.--"But in the one case you are the slave of the employer, in the other the employer of the slave. Why did you run away?" _Bailiff's Daughter_.--"A man's mind is too dull an instrument to measure a woman's reason; even my own fails sometimes to deal with all its delicate shades; but I think I must have run away chiefly to taste the pleasure of being pursued and brought back. If it is necessary to your happiness that you should explore all the Bluebeard chambers of my being, I will confess further that it has taken you nearly three weeks to accomplish what I supposed you would do in three days!" _True Love_ (after a well-spent interval).--"To-morrow, then; shall we say before breakfast? All, do! Why not? Well, then, immediately after breakfast, and I breakfast at seven nowadays, and sometimes earlier. Do take off those ugly cotton gloves, dear; they are five sizes too large for you, and so rough and baggy to the touch!" ***END OF THE PROJECT GUTENBERG EBOOK THE DIARY OF A GOOSE GIRL*** ******* This file should be named 1867.txt or 1867.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/1/8/6/1867 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project
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