an interest in the "History of English Embroidery," and who
will therefore care to know about the revival which has filled so many
workshops with what is now called "Art Needlework."

There was a public demand for something better than the worsted
patterns in the trade, and the Royal School of Art Needlework rose and
tried to respond to that call by stimulating original ideas and
designs, and imitating old ones in conformity with modern
requirements. The difficulties to be overcome were at first very
great. The old stitches had all to be learned and then taught, and the
best methods to be selected; the proper materials had to be studied
and obtained--sometimes they had to be manufactured. Lastly, beautiful
tints had to be dyed; avoiding, as much as possible, the gaudy and the
evanescent.

The project of such a school was first conceived in the autumn of
1872.

Lady Welby, herself an accomplished embroideress, had the courage to
face all the difficulties of such an undertaking. A small apartment
was hired in Sloane Street, and Mrs. Dolby, who was already an
authority on ecclesiastical work, gave her help. Twenty young ladies
were selected, and several friends joined heartily in fostering the
movement.

H.R.H. the Princess Christian of Schleswig-Holstein gave her name as
President, and her active co-operation.[615]

The school grew so fast, that for want of space for the work-frames,
it had to remove into a larger house, No. 31, Sloane Street, and
finally in the year 1875 it found its present home in Exhibition Road,
when the Queen became its Patron. In 1878 the Association was
incorporated under the Board of Trade, with a Managing and a Finance
Committee, and a salaried manager to overlook the whole concern.

From 100 to 150 ladies at a time have there received employment. Their
claims were poverty, gentle birth, and sufficient capacity to enable
them to support themselves and be educated to teach others.

Branch schools have been started throughout the United Kingdom and in
America.[616]

The education of the school has been much assisted by the easy access
to the fine collections of ancient embroideries in the Kensington
Museum, and by the loan exhibition of old artistic work, which was
there organized in 1875, at the suggestion of H.R.H. the President;
and since then there have been three very interesting loan exhibitions
in the rooms of the Royal School.

It was, indeed, necessary that the acting members